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Welcome to Little Theatre of Norfolk

Director Applications for The Producers Due March 1.
 about us

The Commedia Rapunzel

By Lane Riosley

Directed by John B. Gillis

March 7, 3:30pm

Free show – No ticket needed.

Little Theatre of Norfolk’s entry in the Liverpool International Theatre Festival in Canada.

Donations support travel. Select “Touring Troupe” under “Reason” on Donate page.

Read the BroadwayWorld feature with director John B. Gillis.

About Show | Donate

Now Accepting Scholarship Applications

The Jeffrey W. Corriveau Scholarship is awarded in the amount of one (1) $1,000.00 scholarship per year to a graduating Southside Hampton Roads high school senior who will pursue a career in professional theatre or theatre education.

Applications due by March 27.

Learn More

Apply to Direct at LTN

We are seeking directors for our Season 94 (2020-2021) shows:

  • The Producers | Performances 8/28/20 – 9/20/20
  • Last Night of Ballyhoo | Performances 11/6/20 – 11/29/20
  • She Kills Monsters | Performances 1/8/21 – 1/31/21
  • Next Fall | Performances 3/5/21 – 3/28/21
  • James and the Giant Peach | Performances 5/21/21 – 6/13/21
  • View Show Descriptions

Apply to Direct: View Instructions and Application HERE
Before applying, please review the production team job descriptions. This will give you an idea of our expectations and should help you when gathering your production team.

Due Dates

  • March 1 by 11:59pm: Applications for The Producers
  • April 5 by 11:59pm: Applications for all other shows
Details
 about us

Workshops and Master Class

LTN is hosting several workshops, including a master class with Broadway’s Stephen Reed, for participants age 13 and up. Space is limited. Register by emailing melissa.sullivan67@gmail.com or by calling 757-477-6994.

 

WORKSHOP #3The Director’s Vision presented by Christa Vogt, MA, Virginia Beach City Public Schools. (Limit 15 participants).
Do you ever wonder exactly how two productions of the same play can look and feel quite different? This workshop will explore how directors come up with their concept for a production. You will have the opportunity to apply the process using a short script to articulate your vision.
March 21, 2020 (10 AM – 1 PM)

 

MASTER CLASS – Auditioning & Performance presented by Stephen Reed, Director – Ballet Arts Center for Dance, NYC. (Limit 30 participants).
Stephen Reed has appeared in six different Tony Award-winning Broadway musicals including Once Upon A Mattress (starring Sarah Jessica Parker & Jane Krakowski), How to Succeed in Business (starring Matthew Broderick) Crazy For You, Jerome Robbins’ Broadway, 110 in the Shade, and Cats (Rum Tug Tugger). He has performed in Broadway touring productions such as Ragtime, Kiss Me Kate, 42nd Street, A Chorus Line, Evita, and Annie Get Your Gun (starring Donna McKechnie). Stephen is a full member of Actor’s Equity Association (AEA), the Stage Directors and Choreographers Union (SDC), American Guild of Performing Artists (AGMA), and The American Guild of Variety Artists (AGVA) and works internationally as a performer, teacher, and theater coach.

Mr. Reed leads this workshop in two sessions.

Session 1 – Vocal Audition Techniques: Learn to present yourself and your audition material like a pro and work with Mr. Reed on bringing material to life in a high-pressure audition setting. Please prepare vocal material for coaching and feedback.

Session 2 – Dance Audition Tips & Tricks: Learn a series of survival dance steps every theatre actor should know, plus choreography from a currently-running Broadway musical to get a feel for what triple-threat performance is all about. Audience members are invited for an exhibition at the end of the workshop. *$100 per person.
April 3, 2020 (6 PM – 9 PM)
April 4, 2020 (10 AM – 5 PM) – Lunch included.

 

WORKSHOP #4Where Are You From? presented by Louise A. Casini Hollis, MFA, VCU.
From the streets of New York to the shining California coast, America has many regions, all of which have cultivated their own sound. Each dialect carries a world of information about the characters we encounter in the stories we portray. This workshop focuses on what gives a dialect it’s unique sound, and how dialects differ from region to region. Use of the International Phonetic Alphabet will be taught as well as basic sound changes to use for some of the American dialects actors are called upon to use most frequently.
May 16, 2020 (10 AM – 1 PM)